Art. Culture. Life. A World.

Musings on the journeys we take...

Saturday, May 7, 2011

This is an excerpt from my as yet unpublished memoir, “Black Indian,” in honor of my mother and my Aunt Erma for their strength and tough love despite...many struggles.


We do so many things alone in our lives, in this world, except being born. We all have a mother, and no matter what that relationship is like, someone did something, this first thing, for you. In the following section, which took place several years ago, I have just arrived home for my Aunt Phyllis’ funeral.
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The dawn crept through the white lace curtains, the color of blue corn silk. I must have drifted off, but a full bladder pressed my gut. I could hear my mother already up in the kitchen, always before everyone, laying out her usual spread of solitaire. I wondered had she even slept. Or maybe she didn’t want to sleep. Possibly she’d had a visit from Aunt Phyllis’ ghost in the twilight hours. My mother was the real Ghost Whisperer. “Your Daddy said to tell you he’s okay.” All our dead came back to her, out of a closet or from behind a door, asking my mother to tell the rest of us that they were in a better place, not writhing in someone’s fire and brimstone. Me, I didn’t want to see anybody’s rattling chains, or deliver last words: there were gifts and there were gifts. I told our ghosts to keep that shit to themselves; I only wanted to dream. But that’s another story.
Momma played Solitaire fast, snapping the cards on the table angrily. Her sure hands manipulating them, sometimes finishing a game in five minutes flat. Rarely losing to herself. From my room, I heard the frustrated flip, whisk, slap, flip, whisk, slap, shuffle. “Shit,” she mumbled. “Just my luck.”
Then a soda can snapped open and the acidic liquid poured over ice. I lay there listening, tightening my thighs, holding it, not wanting to encroach upon her morning meditation with my footsteps, an intruding light and the creaky bathroom door.
Solitaire was Velma’s way of making sense of the world. Her way of making things come out balanced and in order or not at all, where she had only the cards and her strategy to adhere to, nothing and no one else. She wasn’t a Stafford from the back woods swampland of Mattawan anymore; not dirt poor and lettuce-sandwich hungry. For all Kalamazoo was worth, urbane in comparison to the small, ineffective twenty acre farm where she milked cows at five a.m. before school, and snapped chicken necks for the supper frying pan, she was a city girl, now. Good and proper. Not one of the four golden-skinned black Indian girls, fairies really, who slept under their grandparents’ dinner table at wee hours while their mother, my grandma Dorothy, desperately stalked my grandfather, Clifford Stafford, a careless husband who flaunted his exploits through the drenched streets and dark alleys of four water-logged towns.
Solitaire Velma could do. Anybody’s gambling, she could do. Play the Michigan Lotto for a hundred dollars worth of hunches and random license plates and restless dreams, she did with every paycheck. And we were a family of dreamers.
Solitaire was her reprieve. It was just a game. This morning of all mornings, she needed that. To be in control. Balance, order.
Nothing else in her life seemed to do that from the time she could walk until her high school sweetheart, John Cloud, tracked her down three years ago. The only moments of solace I remember of my mother surrounded her record collection, forty-fives stacked like black pancakes beside the record player on the weekends while we, her East Side army, cleaned the three story house; she seemed at peace in those moments, singing off key as she floated from room to room with watery eyes. After my mother and John’s courtship, there were no more pictures of my father in the house.
A kind, lonely widower, John Cloud taught my mother that not all men wanted to shuck or jive. He’d helped her buy this house on the outskirts of Kalamazoo and furnish it. He’d bought her a couple of cars. He didn’t hit her. He persuaded her to trust and love, coaxed her; all he wanted was to comfort her. He didn’t choke her. He had her going to Church. When I first found out, I gasped, “What do you do there?” My memory of religion in our house is this: “God ain’t done shit for me. What I’ma go to church for?” My sister remembers it differently; she said we ate and slept in church when I was a baby, twenty-four, twenty-four. However, when I was growing up, we cleaned house on Saturday and rested on Sunday. Like God, we did not go to church. In and out of bible camps she sent me to though, I remember asking her on and off if she would go with me. It seemed I only went to church when I was with my daddy and his nutty family, but then again, we had to go to church since he was the preacher.
After awhile, I stopped asking Momma to go with me. Something had happened in the past she kept hidden from us. Because it made her snap and snarl, I let that curtain fall shut. As an adult, when I saw how it hurt her that I questioned her attendance to church, her faith, I stopped smirking; she’d “found” God again, and that was good. For a while she and my Aunt Erma were both devout Buddhists, the chanting kind, but now, if it’s possible, they were Buddhist Christians. I didn’t judge them; my path circled backwards, back to what connected me to that Cherokee, Choctaw and Neusiok tribal blood; I was attending sweat lodges regularly in the California mountains.
We all need to believe in something.
It took Momma almost fifty-five years to get here: back to God, at that fingerprint smeared glass table in a perfectly tiled kitchen and cream latticed curtains lingering against windows that framed a large, still backyard that the cicada serenaded in loud drones. Two standing grandfather clocks and a dining room with all eight chairs around the table. A man in the bed who loved her.
The bathroom could wait.
***

Aunt Erma’s voice chimed a sleepy “good morning” as she joined my mother at the kitchen table. Their sounds murmured against the kitchen’s noise as the house woke, the refrigerator grumbling, floorboards creaking, the hogtied snores of my brothers in the basement where they slept.  
“Is it?” Momma quipped. Flip, whisk, slap, shuffle.
Aunt Erma snorted a response. I imagined the sharp look she cut the back of my mother’s head with – The fuck you are. No, it is not goddamnit. Our sister is dead, but you can be an asshole if you want to because you’re in pain. I’ll allow that. This time.
“You want coffee?” Aunt Erma said.
“Nope. I’m fine.”
Aunt Erma knew my mother, who hadn’t spoken to their sister in a year, was living all her regret in the hours before the funeral. Velma was eating it for breakfast. Crow pie mixed with regret. I always wondered why people wait to tell it, to say, you hurt me, you fucked up my life, I love you so much, I’ll always love you. I never understood the cherishing of bitter silence, and that’s why my family was glad that I lived far, far away. LA, to them, was like Oz; I was the black Indian Dorothy who’d been tossed into the rain clouds by a tornado and we all liked it just fine.
“How ‘bout some eggs?” Aunt Erma persisted. “You should eat something, Velma.”
“Nope.” Flip, whisk, shuffle. “I’m fine.”
Aunt Erma was a thinner version of my mother, high cheekbones above the pronounced Stafford chin, pillowy skin the color of autumn’s first leaves, unrepentant curly black hair. Always able to laugh, she muffled a teenager’s giggle at something acerbic my mother said; most likely someone’s reputation shredded on the clean kitchen floor. Even at fifty-five, my aunt was the queen of giggles, polar opposite of my mother, the purveyor of frowns. Having learned her cuss words honest, right on her daddy’s knee, Aunt Erma had a mouth like a pirate; she was always quick to crack on someone who deserved it, her tongue sharpened on years of telling her alcoholic husband just what he could do with his “sorry, drunk, lying ass.”
Aunt Erma’s strong chin puckered in or out in every family photo depending on the battle she had just finished or was about to start. But a gentle teasing at the corners of her mouth held her smile steady, ready to make everyone else laugh. She was at once our family comedienne but also keeper of our memory. I distinctly remember, in a photo dated June 1962, after the birth of her first son, her eyes had grown wary. Still alluring yet aching, holding summer secrets close to her chest. She’d changed; life tasted different, her eyes said, as an adult. That day, her skin was healthy, her coltish eyes penetrating behind the cotton sorrow.
When I entered, I leaned down to kiss my mother’s head, hugging her from behind. Her neck was red; she’d just gotten a haircut. Her short black curls were wavy and soft under my lips. Ignoring me, she melded the cards like a Las Vegas dealer.
“Morning, Mommy. You not eating?” I said. No answer.
A fresh, sweet shampoo scent immersed me. I tightened my embrace, pressing hard enough for her to hear the blood in my ears rushing through my body, knowing she was full of water unshed as of that moment. Her sister’s death must have felt like the loss of a finger she never realized she needed until it was gone.
Momma half encircled me with one arm and continued dealing her game out with the other. Stoic. Terse. Eyes dry. Whereas I was crying all the time, sensitive and approaching puberty like a leaky faucet, she was the Mohave Desert. She was always the strongest of us. And I still wanted her to be the strongest woman in the world even though I hated her for that strength. Her anguish, like her love, had the silence of trapped water, and I got the hell out of Kalamazoo first chance I could because I always felt like I was drowning in that sorrow.
I left town, left the constant blare of cargo trains and their two hour breaks on the tracks, and after that everything I did was California’s fault. Getting pregnant at twenty. That damn California. Not marrying the father. That’s what them Californians do. Going back to college. Oh, you think you smart cause you in California? When I locked my “good” Indian hair: Look what that damn California did to Shonda. To them, in my crazy California Sanskrit shirt and soft writer hands, despite living in a place where earthquakes ripped up whole intersections, I would always be the baby girl, sixth child, fourth girl child. No uncles of note, no grandparents, and now, only two aunts and a mother, who at dusk used to allow us kids to play hide-go-seek and truth or dare during the hot summer nights, our screams pulling down the crushed red summer sun, the light snuffed out by our urgent night-coming-down-soon whispers. Fireflies gave up their wings for our pleasure on that ground, for our pounding feet ruining their moist beds. The waist-high grass that Momma let grow wild on Southworth clearly defined our country sensibilities. Yet, it was magical to me, a child, running through the grass like it was a jungle. Our white house, trimmed in black, sat in the middle of our yard, which was the biggest on the block. Our yard was bordered with what the Michigan Chippewa and the Ojibwa called sugar bushes, towering maple oaks that dripped sap, and some pine, birch and crabapple trees. Someone reported us to the city, though. Not long from the swamp, I’m sure the younger, hipper of our neighbors snickered. We didn’t care. Kalamazoo, Decatur, Ypsilanti, all by way of North Carolina Indian swamps. We were, as far as I knew, Sampson County Coharie and Halifax Cherokee. Black and Red.
Wetlands was in our blood.

(Next installation to come tomorrow night. Hope I don't bore anyone.) 

Wednesday, April 27, 2011

How to Hunt in America


Where are your papers, Mexican?
Upstairs sorting clothes for the wash, I hear my husband in the living room ranting at the TV. I carry down the basket to the washer and tuck the clothes in, pour detergent, flip switch. I look at my stack of freshman comp essays that need grading; I cross to the kitchen window, looking at the furious holly tree and irate rose bush fighting for space in the same patch of earth and I think, I should uproot one and let the other grow free. Or maybe I should I go clear my head with a fast walk at the beach before the day’s work. So much to do, I think, besides yell at the TV. I see mosquitoes have nettled their stingers into the mesh of the tent my husband erected in place of a real screened-in porch and, for some reason, I am furious at those little winged creatures. I fog them.

Are you or are you not a witch?

When I come back inside, Donald Trump and his hair are the center of the vaudeville act now. The reporters’ and their microphones are politely stabbing him with questions. There is a familiar scent in the air.

Are you a Jew? Where is your star?

Suddenly realizing that I need trash bags if I’m going to shear the bushes swallowing my yard, leaping towards the summer, I leave my husband on the couch, fuming, TV blaring and melding with my morning of work and bustle. I pull up to the store and turn off the ignition. The thawing comes.

Where are your papers? Are you legal in this state, Nigger?

At least twenty years prior to the first Census in 1790, many Black farmers and planters mostly worked alongside white farmers, and owned as much if not more land. According to that Census there were over 56,000 free blacks in the U.S. Some blacks owned slaves just like the whites, though many were “bought” family members. But in the years leading up to that first enumeration, and the legislature passed in North Carolina and Virginia requiring once peaceable living Blacks to pay taxes on themselves and any people, Native American, free black or slave, living in the home, Blacks sensed what was coming and flocked to the registry to claim their status – Free Person of Color. This is a deftly abbreviated version of the struggle of African descendants, (not all former slaves), Native Americans, and Mixed Bloods, have had in this country. It is the story of their desire and right to share in the promised freedoms of other immigrants – the Brits, Irish and Scots, Dutch, Spaniards, Italians and Portuguese.

Muslim?

Yet, these promises continued to get whittled away by the lack of status conveyed by appropriate “papers.” There is a scene in Edward P. Jones’ 2004 award-winning The Known World, when a treacherous slave catcher stops a free black man that he has known all his life and, asking him for his papers, chews and swallows the precious legal document. The slave catcher and his cronies sell the black man back into slavery, where he dies.

I am reminded of this passage as I listen to Trump’s questions about the President’s birth certificate, which is really a press conference to dangle his own announcement to run, yet I wish Trump and his kind knew how these kinds of depredatory enactments echoes of other shameful moments in our past and recent history. I never had a reason to hate Donald Trump, and others like him, shallow, morally cracked and reprehensible magicians who wave the U.S. dollar at the audience and make us forget that the rabbit is not, nor has ever been, in the hat. Consequently, he and the others that have, by asking President Barack Obama to produce his birth certificate, in essence, his freedom papers, his Star of David, his tribal enrollment card, his citizenship status, effectively reconstituted our most discriminatory, hate-filled pogroms that have lead to the deaths and devastation of so many.

Do you have your enrollment card, Indian?

“We do not have time for this kind of silliness. I’ve got better stuff to do,” President Obama told the press after releasing his birth certificate. I echo that. We do not have time for this kind of pauper’s act but we do have time to remain vigilant against those who seek to take away what many have already fought and died for in this country, and around the world. To participate in the processes of one's country - by adoption, forced removal, seeding or birth. To share this patch of earth that we've all landed on, however we came here. Whatever we call ourselves. No matter where we were born.

Saturday, July 31, 2010

At Buckroe Beach (for my daughter, Afiya)

Published in Longstoryshort.com, 2010

Watching her
it has been eighteen years
Out of corner of my eye, I thought
sun slanted peachcream into us
I have to remember
a tightly curled ponytail, shades covering her eyes
Her shadowed hair
buckroe beach crumpled beneath
The way sun creams down on
untender touch of sand castle builders.
Brown of her shoulders like a praise.
she used to be that little black girl, ashened
Like sharks whispering reverence near us in cool crystal deep
pushing grains into submission
A daughter’s cusp eyes
folding salt and water into imagery mote.
Young, at the beginning of life’s edge where
she laughs at high yellow girl who, unaware,
Chipped bones of ancestors wade, pushing prayers
threw her own hairpiece at another screaming friend
Into her old timey eyes, recognizing kin. They know my daughter,
triffling, curl of afiya’s mouth say.
Like rocking chairs and lamps that flicker out
jellyfish slip up next to her, translucent with longing
At first lightning crack, at first thunder strike
desperate for the kiss, the flesh of her.
Her knowing, full in the mouth of a storm.
i turn
No paper, no pencil
she is at once the girlchild I raised, washed, kept
I turned
and the woman who will leave me behind
A space, then nothing between us
i look again and she is just my daughter
The salt rising
walking beside me, laughing.
This moment
It has been eighteen years
The last, the first
as sun slanted peach rain against our arms, lips
I memorize it, thinking, I must remember
there was a poem here somewhere.
Everything.
(c) Shonda Buchanan

Friday, July 30, 2010

Montana...

Sitting atop the Hayes, Montana mountain on Ft. Belknap reservation, my husband and I grinned at each other like kids with cookies. It was the 4th of July. We had made it. Only here for a couple days, we gazed hungrily down into the valley that held our friends' home, and their 35 dogs and pups, their 30 horses and 10 llamas that they breed. Everywhere color. The green hills were so green you felt like if you licked it you'd taste lime. The skies were a seamstress blue, and you almost smell the thread, the woman's hands and the lavender stitches being sew into the shifting cotton clouds. It was good to sit with the dog, Meggie, who'd attached herself to as our guardians and just look and look. For miles Indian country. As we drove from LA, I couldn't help think, 'this is all Indian country.' Our journey from LA had been filled with surprises, Wyoming and Utah held such beauty, even the outskirts of Las Vegas floored us, but the most startling testament of how our country still echos with past discrimination were signs like the one in Idaho saying, "Warning to Tourists: Do Not Laugh at the Natives." My husband whipped his head around as we drove past, "did you see that?" He made me turn around so he could take a picture. It's on my Facebook page, and every time I look at it, I can't help but think who are the real "Natives?" So much has changed since 1492. But when we see a sign that has to remind tourists not the guffaw at the "Natives," i.e., Native Americans, the indigenous people of that land, I think maybe not much has changed. But on that mountaintop in Montana, for the moment, we could dream...

Sunday, July 11, 2010

Across a Country

On June 6th or 7th, my daughter and I packed up our Rav 4 and revved the engine. After saging the wheels, blessing our journey, we pulled out of the driveway and into a summer adventure that has become oddly and not so oddly, a representation of my life as a mother, writer, professor, a RedBlack, and poet. All of these things are what I want to look at, and to lay out for discussion. My observations of this gorgeous country, our towns, and the way we lodge people, or (Arizona) expel people despite and often because of our sameness and yet, those perceived and real vast divides. And most definitely how we are still all in the pathway of nature, and maybe of our own selves. So, I will try to keep the pics and postings coming on a regular weekly basis until work starts back up at the end of August. Maybe some of them will appear before in a couple of newspapers, magazines, or online publications. If I'm lucky, and time permits, I will continue writing into the winter and spring. this is my hope. I will share but I hope to hear your thoughts echoing back to me. Until the first post later this week...  

Sunday, January 17, 2010

Tips for Budding Writers

Tips for Budding Writers
Because I can’t leave the country for Haiti right now, I decided to write the things I’ve been meaning to write, and have to write for various reasons. I am working on my website and want to give something back to the budding writers who have supported me over the years in my workshops and lectures.

1) If you want to be a writer, hang around other writers. Go to coffee houses, book stores and libraries that offer writing workshops, lectures, and book discussions. Talk about writing, about the authors, about their work, their strategies and techniques.

2) Join your local community, state and national writing organizations. National writing organizations such as www.awpwriter.org and www.pen.com have conferences and host author series. Both are extremely supportive of new, emerging and established writers.

3) Get on the list serves of writing organizations and foundations.

4) Subscribe to Poets and Writers Magazine, http://www.pw.org or the Writer’s Chronicle, http://www.awpwriter.org/magazine/index.htm. They support writers and offer contests, conferences, awards, scholarships, fellowships, excellent articles, interviews and tips about becoming a successful writer.

5) Attend writing conferences. Octavia Butler was the first person to tell me that writing conferences were more about networking then the workshops. However, the workshops were helpful too. Don’t be afraid to meet a writer, shake their hands. Don’t be afraid to talk to agents after a panel discussion and tell them what you’re working on. Establish a relationship that might be the beginning of a ten-year friendship or partnership. Always keep your contacts.

6) Submit to contests you can afford! Submitting to contests can cost a lot of money, so before you submit, make sure the poem, essay, or piece of writing fits the criteria and readership of the publication.

7) Follow the guidelines of the contest strictly or your work will be returned.

8) Keep a log of submissions so you are not sending out simultaneous submissions, or know if a publication allows this.

9) Spell the editor(s) name correctly; put their correct title and address.

10) Also send an SASE (self addressed stamped envelop).

11) Be succinct in your cover (query) letter. Print out and review a draft of your letter before you send it out to catch any mistakes or errors.

12) Set up a writing schedule that you can live with, one around your job or busy life.

13) Treat your writing like a real career. Set up a schedule. Honor it. Even if it’s an hour a day or every other day. Make it your writing time. Don’t move from your desk even if you haven’t written a word. Eventually, you’ll write something like, “boy, do I wish I was doing something else.” Baby steps.

14) Remember there’s a difference between craft and career. One is how you write, revise and engage and the other is how you put your work out in the world.

Gabriel García Márquez said in a Playboy Magazine interview years ago that he wrote so his “friends would love him,” but he said in that same interview that “if you cannot live without writing, then you should not be a writer.” Don’t write for fame or fortune; write because you have a story to tell that no one else can tell.

Please feel free to add comments of your own for budding writers. Thanks in advance for helping answer any questions this community might have that I haven't answered here.

Friday, January 15, 2010

Haiti Watch

Where are we? Who are we? Don’t we ask these kinds of questions when there is nothing we can do about the damage afterwards. The damage done. But let us try. It is 2010, and the pandemic of poverty in the first black republic of our times did not make any of it any easier. Everything, shelters, economy, infrastructures were already fragile there. And now… Everyone has said everything that can be said. But we must say more, what we can. What has happened to the country and people of Haiti has provided for us a new definition for the words, tragedy, catastrophic, calamity. The executive director of the IMF (International Monetary Fund) said something else very interesting on NPR yesterday. He said Haiti needs an entire restructuring of government, infrastructure and public policy. But who will do it? Him, us? I wish, hope, wish we could trust those words. That they will produce something. Hope, wish, hope Haiti will be taken good care of in the hands of the world. In our hands. Yes, send money. Yes, if you can, when it is safe and your job will not fire you, make your way there. But we have seen how history has dealt Haiti all the double-faced cards in the deck. Who are we? Where are we? It was 1994 or 5. I remember the day Aristide was spirited off the island of Haiti years ago by the CIA after a military coup. That is another story, but it is almost as if I can still see his light leaving Haiti across the wounded sky. Aristide was a poet..I wonder what Aristide’s pen is writing now.

Friday, November 13, 2009

Storms and spirit

Why is it that the end of a storm most often shows, or brings, us things. Yesterdays' Nor'easter showed me that yes, you have foundations cracks in your house that caused the ceiling and the fireplace to leak. And I got buckets and towels, and I listened to the frustrating leak while preparing my poetry for tonight's reading (which was cancelled as Norfolk, VA is underwater). Yet while the storm is still feeling her way through Hampton Roads, or any storm feeling out our hollow parts, the cracks in our walls and doors, she is cleaning us, like spirit, making us stop in the middle of the street, in the middle of ourselves. She soaks our basements and rugs, but she makes us stop and listen; she makes us swim when we thought we'd forgotten how. If our loved ones are unscathed and safe, storms clear us of the debris that clotted up in ourselves, from work, or school, or life, our country's wars, the news, and let's us begin again. Change is sometimes good.

Sunday, November 8, 2009

john coffey (but not like the drink)

Watching Green Mile tonight I am struck again but Tom Hanks' character's words when he is about to execute the wrong man: "What do you want me to do John? Do you want me to let you go and see how far you get? Because when I stand on Judgement Day, and God says why did you kill one of my true creations, what will I say? That it was my job?"

I again am struck that we live in a society where many people do many things because it is their job. Sometimes we are stuck by our spatial occupation as opposed to our intention. Yet, if given the chance to save someone, what will I , or anyone say, on behalf of someone else, who we know despite it all, despite our fear, our charge to 'live right,' our unintentional or purposeful discrimination and prejudice, what will we say for them? Can we stand up now, for someone, anyone who we know is as good as they come? Who might need a little extra help? I don't know. But John Coffey's character was meant to show us a reflection, to show us we still have choices, we still have time to do some things right. Just thoughts on a Sunday night.

And to think this from Stephen King.

Friday, November 6, 2009

In the Moment

Here's the deal, today. Have been think writing poems about the many things that have happened in the last week, since Theo Smalling's death, the shooting at Ft. Hood and Florida, the discovery of bones, 5 years worth, in a rapist's home in Cleveland, so much more, but it is daunting, the task of being the poet, the task of giving the testimonial to make sense of it. I think, and I think and haven't written yet. So I have to think about what was beautiful that happened instead. Tonight, Friday, my husband brought me my favorite Nina Simone CD. I only had the cassette tape, and he brought me Nina. Then he cooked, on a Friday. African red-red and plantains. And he smiled his warm, I-love-you-for-you smile. So that is good. Purely good. And I'll hang on to that for tonight and tomorrow. Maybe I will write something tomorrow, a new poem for the Nov. 13 reading at Selden Arcade. DT Norfolk. Maybe I'll read something about Theo. Something hopeful, something redemptive for those of us left behind. Thanks bwb. I'll try to write twice again.

Thursday, April 17, 2008

Got Optimism?

Dear...,

I want to be optimistic. I do. And, I admit, I recently told my partner that I am incredibly full of hope, silly, poetic hope, but I must say times are dire and serious for a country when a black politician as eloquent and as solid as Obama, still, must defend his blackness.

I don't know what this blog will be. But I am a 39-year old black(red) woman writer and mother. I am the daughter of Midwest roots, by way of NC. I have traded words, in public and private, for many things over the last seventeen years. Now is the time to do something, to write something, to say something, using what little I have learned, earned, and, yes, hoped for, when I decided to be a writer.

In Hope. In Peace.